My tribute to the hares lovingly carved as they climb towards the waxing crescent Moon on the trunk of an Oak tree in Wickersley Wood, near Rotherham, South Yorkshire, UK.
Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts
Monday, 11 February 2019
HARES
My tribute to the hares lovingly carved as they climb towards the waxing crescent Moon on the trunk of an Oak tree in Wickersley Wood, near Rotherham, South Yorkshire, UK.
Friday, 30 October 2015
Writing as sculpture: finding and freeing the treasure hidden inside the rock
Writing feels to me a bit like carving a sculpture: it's as if I'm finding and freeing the treasure hidden inside the rock.
First come the seed ideas, the months of thinking and dreaming about my characters, their lives, their situations, the plot, the research that may never make its way into the finished novel, but which is the solid grounding reality and background to everything. That's the stone.
Then second, once it reaches a tipping point where all the elements are in place and I can no longer resist the writing, comes the first draft. That helps me see clearly the seams and fault lines of my characters, the shape and flow of the plot, the dovetailing strands of the story as I chip away. Now I can make full eye contact with the characters I dreamed up, hear them speak, smell and taste their world more vividly than before. That's the sculpting.
Then comes the editing, editing and re-editing which I love. It's like the tumble-polishing of the whole piece, murdering my darlings, killing dead adjectives, spotting typos, reordering, throwing it out to my faithful proofreaders to savage and sniff out the impurities and howlers. That's the smoothing.
Once it's published and out in the world with the readers it was born to meet, my writing can then be enjoyed and explored by everybody from their different viewpoints, preferences, angles, looking at the crystal with all its different facets, each reader taking away something different from my story. Such a privilege and joy when some are unable to look away until the end, getting what they need from the book I sculpted, perhaps treasuring it as a favourite read to return to again and again, each time getting something different from it.
I'm currently having such fun immersed in the sculpting stage of my second novel, which sees my heroine and hero from "Goatsucker Harvest" going into deep waters, dangers and wildlife dilemmas in a Humber Keel off Yorkshire's Holderness Coast and the sea cliffs and caves around Flamborough Head in the 1850s.
If you enjoyed this blog post, please let me know by commenting and please feel free to share your own ideas and experiences of writing and reading.
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Friday, 9 September 2011
Chatsworth's "Revelation" Fountain: The Rhythm of Life is A Powerful Beat!
A couple of posts ago I was rambling about Blanche's Vase at Chatsworth.
Chatsworth House has other hidden corners just as restful but a bit more modern. The Revelation Water Sculpture is a hypnotic and stunning fountain, designed by sculptor Angela Connor, installed at Chatsworth in 1999.
The most famous water feature at Chatsworth is definitely the Cascade, 300 years old, a picturesque liquid ribbon flowing down 24 stone steps cut into the landscape above the House.
The 'Revelation' is less well known, but is a piece of simple modern engineering that will stay in your heart forever. Like a well oiled piece of organic clockwork, it sets its own rhythm. As you stand or sit to watch its elegant, unhurried cycle, perhaps it has something to teach us about the pace of our own lives.
Its in the form of a flower bud opening and closing its petals. Its motion is down to the pressure of water flowing from the sculpture. These photos I took show the stages of its dance:
Chatsworth House has other hidden corners just as restful but a bit more modern. The Revelation Water Sculpture is a hypnotic and stunning fountain, designed by sculptor Angela Connor, installed at Chatsworth in 1999.
The most famous water feature at Chatsworth is definitely the Cascade, 300 years old, a picturesque liquid ribbon flowing down 24 stone steps cut into the landscape above the House.
| The Cascade in the grounds of Chatsworth House originally completed in 1696 and fed by four lakes |
Its in the form of a flower bud opening and closing its petals. Its motion is down to the pressure of water flowing from the sculpture. These photos I took show the stages of its dance:
| Closed bud with water flowing over its shiny surfaces |
| Gradually the weight of water within causes the petals to unfold outwards... |
| ...revealing the golden heart within. |
| As the flower fully opens, the water drains back into the surrounding lake |
| Letting the flower close again |
| Ready to start the cycle again, drawing visitors away from the rush of life to share the healing heartbeat of nature |
| Chatsworth's sculptures blend with the natural landscape beyond |
| Water and stone in harmony |
| Chatsworth's formal and natural gardens and buildings set in the splendour of the Derbyshire Peak District |
| Pseudoacacia Robinia 'Frisia', an Australasian visitor holds its own special sunshine at Chatsworth |
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